{"id":808,"date":"2023-04-12T17:04:52","date_gmt":"2023-04-12T17:04:52","guid":{"rendered":"https:\/\/christophetalmont.com\/?page_id=808"},"modified":"2024-07-14T21:26:05","modified_gmt":"2024-07-14T21:26:05","slug":"prensa-coros","status":"publish","type":"page","link":"https:\/\/christophetalmont.com\/fr\/prensa-coros\/","title":{"rendered":"Prensa Coros"},"content":{"rendered":"

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Revue de presse<\/h2><\/div><\/div>[vc_empty_space height=”30″][vc_column_text]<\/p>\n

CHEF D’ORCHESTRE<\/span><\/a> \/ CHEF DE CH\u0152UR<\/span><\/h3>\n

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Peter Grimes de Britten, Op\u00e9ra Grand Avignon<\/h3><\/div>
<\/p>\n

Et l\u2019on n\u2019oubliera pas de mentionner la formidable performance du\u00a0Ch\u0153ur de l\u2019Op\u00e9ra Grand Avignon, ici renforc\u00e9 par son voisin montpelli\u00e9rain, qui se couvre de gloire dans une partition o\u00f9 il est fortement sollicit\u00e9.<\/p>\n

\u2013<\/strong><\/span><\/p>\n

Opera Online, Emmanuel Andrieu<\/strong><\/span><\/p>\n

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Peter Grimes de Britten, Op\u00e9ra Grand Avignon<\/h3><\/div>
<\/p>\n

C\u2019est le ch\u0153ur (Ch\u0153ur de l\u2019Op\u00e9ra Grand Avignon et Ch\u0153ur de l\u2019Op\u00e9ra Orchestre National Montpellier Occitanie), tout de pr\u00e9cision et d\u2019articulation, personnage essentiel de l\u2019action, que l\u2019on f\u00e9licite en premier. Les \u00ab\u00a0Peter Grimes\u00a0\u00bb\u00a0hurl\u00e9s face public couronnent une prestation galvanisante.<\/p>\n

–<\/strong><\/span><\/p>\n

Resmusica, Jean-luc Clairet<\/strong><\/p>\n

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Peter Grimes de Britten, Op\u00e9ra Grand Avignon<\/h3><\/div>
<\/p>\n

Cette production n\u2019aurait pas \u00e9t\u00e9 ce qu\u2019elle fut sans la participation des ch\u0153urs id\u00e9alement pr\u00e9par\u00e9s de l\u2019Op\u00e9ra Grand Avignon renforc\u00e9s par ceux de Montpellier.<\/p>\n

–<\/strong><\/span><\/p>\n

ConcertClassic.com, Michel Eg\u00e9a<\/strong><\/span><\/p>\n

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Peter Grimes de Britten, Op\u00e9ra Grand Avignon<\/h3><\/div>
<\/p>\n

A saluer, \u00e9galement, la prestation des ch\u0153urs, impressionnants d\u2019engagement et de coh\u00e9sion.<\/p>\n

–<\/strong><\/span><\/p>\n

Op\u00e9ra Magazine, Richard Martet<\/strong><\/span><\/p>\n

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L\u2019Africaine de Meyerbeer, Op\u00e9ra de Marseille<\/h3><\/div>
<\/p>\n

Christophe Talmont, actuel chef de ch\u0153ur int\u00e9rimaire, fait une belle d\u00e9monstration de maitrise en dirigeant superbement sa phalange marseillaise.<\/p>\n

–<\/strong><\/span><\/p>\n

Les Chroniques de Benito Pelegrin<\/strong><\/span><\/p>\n

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L\u2019Africaine de Meyerbeer, Op\u00e9ra de Marseille<\/h3><\/div>
<\/p>\n

Les voix de la maison ont \u00e9t\u00e9 remarquablement bien pr\u00e9par\u00e9es par le chevronn\u00e9 Christophe Talmont<\/p>\n

–<\/strong><\/span><\/p>\n

Forumopera, Maurice Salles<\/strong><\/span><\/p>\n

<\/div> <\/div> <\/div> [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” bg_type=”image” parallax_style=”vcpb-default” bg_image_new=”id^1108|url^http:\/\/christophetalmont.com\/wp01\/wp-content\/uploads\/2024\/07\/fondo_prensa_01.jpg|caption^null|alt^null|title^fondo_prensa_01|description^null” bg_image_repeat=”no-repeat” bg_img_attach=”fixed” bg_image_posiiton=”100% 100%” z_index=””][vc_column][vc_empty_space height=”200″][vc_empty_space height=”30″][vc_column_text] CHEF D’ORCHESTRE \/ CHEF DE CH\u0152UR [\/vc_column_text][vc_empty_space height=”50″][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-808","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/pages\/808"}],"collection":[{"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":9,"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/pages\/808\/revisions"}],"predecessor-version":[{"id":1295,"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/pages\/808\/revisions\/1295"}],"wp:attachment":[{"href":"https:\/\/christophetalmont.com\/fr\/wp-json\/wp\/v2\/media?parent=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}